Robert B Parker

Spenser has gone to London — and not to see the Queen. He's gone to track down a bunch of bombers who've blown away his client's wife and kids. His job is to catch them. Or kill them. His client isn't choosy.
But there are nine killers to one Spenser — long odds. Hawk helps balance the equation. The rest depends on a wild plan. Spenser will get one of the terrorists to play Judas Goat — to lead him to others. Trouble is, he hasn't counted...

Called upon by The Hammond Museum and renowned art scholar Dr. Ashton Prince, Spenser accepts his latest case: to provide protection during a ransom exchange-money for a stolen painting.The case becomes personal when Spenser fails to protect his client and the valuable painting remains stolen. Convinced that Ashton Prince played a bigger role than just ransom delivery boy, Spenser enters into a daring game of cat-and-mouse with the thieves. But this...

One of Boston's elite has been murdered. The accused is his new wife. She's blonde, beautiful, and young. The jury's going to hate her. With next-to-no alibi, and multi-million reasons to kill her husband, she needs the best defense money can buy. His name is Spenser, and he'd give anything to believe her.

Sunny Randall comes to the aid of three women, with deadly consequences. Hired by prominent feminists Mary Lou Goddard, Sunny must contend with Goddard's reluctance to reveal all she knows about the unwelcome attentions bestowed on her.

The book opens as Stone leaves California for his new job as chief of police in the picturesque town of Paradise, Massachusetts. But Paradise isn't as placid as it seems--in fact, it's a festering mass of petty corruption, right-wing militia, sexual scandal, and bad guys who favor strong-arm tactics. Night Passage boasts a delicious, classic setup: the lone lawman, new in town, must make his stand to clean the place up. Stone has been picked for the...

Boston private detective Sunny Randall agrees to protect a touring writer from her abusive ex-husband, but she quickly learns that the stalker in question is much more sophisticated, intelligent, and potentially deadly than most.

PI Spenser of Boston investigates a stalking, the victim of which is a theatre company director, a probe that leaves him cold until an actor is gunned down. At that he swings into action, clashing with the Chinese Mafia and narrowly missing being killed himself.

Hired by Loudon Tripp, an aggreived Boston aristocrat who believes the brutal slaying of his wife to be something more than random violence, Spenser immediately senses that Tripp's picture-perfect version of his family's life is false. The victim's reputation is fat too saintly, while her house is as lived-in as a stage set and her troubled children don't appear to be products of a happy home. So Spenser plunges into a world of grand illusion, peopled...

"When his closest ally, Hawk, is brutally injured and left for dead while protecting bookie Luther Gillespie, Spenser embarks on an epic journey to rehabilitate his friend in body and soul. Hawk, always proud, has never been dependent on anyone. Now he is forced to make connections; to accept the medical technology that will ensure his physical recovery; and to reinforce the tenuous emotional ties he has to those around him." "Spenser quickly learns...

Wyatt Earp, Billy the Kid, Doc Holliday, Tombstone, the O.K. Corral--the icons are so firmly embedded in American history that we might know nothing more about them than their names. But in this spare, moody riff on the events leading to the 1881 shootout at the O.K. Corral--the signature battle defining the violence of the Old West--Robert B. Parker shades the black-and-white starkness with shifting tones of gray.